ARTIST | 艺术家

ARTIST | 艺术家

李元庆


李元庆是深圳罗湖区文化馆副研究员、广东音协会员。他是中国第一位举办个人锯琴音乐会、撰写锯琴学术论文、出版锯琴盒带、 研制锯琴获国家专利局颁发的专利证的音乐人。李元庆刚满13岁便参加了中国人民解放军,在北京某部文工团任演奏员。

1983年考上山西大 学艺术学院作曲系。
1987年大学毕业后来到了深圳罗湖区艺术团。
1990年,他选择了锯琴音乐作为艺术生命的至爱与追求。

从 他认识锯琴那天起,就一直在为锯琴成为艺术殿堂中的瑰丽奇葩而努力专研。15年的光阴过去了,李元庆已成为中国著名锯琴演奏家,并在1993年开了全国第 一场个人锯琴演奏音乐会。

1998年的美国国际锯琴大赛和2000年捷克世界锯琴演奏家大赛上,李元庆都荣获了金奖。

   

TETRAGRAMMATON


组建于2006年日本东京的三人迷幻摇滚乐队Tetragrammaton一方面承袭了70年代阿部熏、高柳昌行等人的日本自由即兴爵士之风,另 一方面则与不失者(灰野敬二)、酸母寺(Acid Mother Temple)同属东京迷幻音乐温床里的活跃份子。东欧传奇弦乐器Hurdy-Gurdy(中文翻译,手摇风琴或者绞弦琴)、高音萨克斯风、桌面结它和敲 击,乐队的乐器看似更适合演奏东欧民谣,实际上,却是从头到尾让你陷入高压和狂热的声音大熔炉,混合着迷幻摇滚、迷幻民谣、自由爵士、电子声响等无规律的 音乐碎片,那份“宇宙感”和“超现实感”,绝对是一次美妙又极端的Trip Psychedelic(原指服吃LSD后经历的一次完整的迷幻体验)。
乐队的三位成员TOMO(Hurdy Gurdy、Soprano Saxophone、Theremin、Electronics)、Cal Lyall(Tabletop Guitar、Electronics)和Nobunaga Ken(Drums、Percussion)都是日本新音乐圈的多面手,在包括Harsh Noise、独立民谣和跨界舞蹈、配乐等多个领域皆担当重要角色,Tetragrammaton同时也与包括灰野敬二、向井千惠、Acid Mother's Temple、传奇Butoh舞蹈家Mitsutaka Ishii、即兴提琴手Yasumune Morishige、CCCC的Hiroshi Hasegawa、CAN的Damo Suzuki等艺术家音乐家开展合作。2007年,乐队首张专辑《Elegy For Native Tongues》在东京厂牌Subvalent作2CD形式的出版,收录5首录音室作品,及3首于日本实验音乐Live House Penguin House的现场演出录音。
Japanese free psych/drone unit Tetragrammaton is one part 70s free improv (from the school of Kaoru Abe and Masayuki Takayanagi) and one part new millennium blissed-out drone/noise (a la Hototogisu and Vibracathedral Orchestra).
Mixing hurdy-gurdy, soprano saxophone, drums, percussion and (tabletop) guitar, the instrumentation might be well-suited to the folk-music of Eastern Europe, but falls more decisively into the camp of Fushitsusha or Borbetomagus.
The band has supported the legendary Keiji Haino on several occasions, and frequent guest spots have included Chie Mukai, Mitsuru Tabata (Acid Mother's Temple, Zeni Geva), butoh legend Mitsutaka Ishii, Hiroshi Hasegawa (aka ASTRO) Damo Suzuki (ex. Can) and
improvising cellist Yasumune Morishige.
The three members, TOMO, Cal Lyall, and Nobunaga Ken are also involved in a number of other projects, ranging from harsh noise to world folk music to electronica.
Forming in 2006 with a bare-bones free improv lexicon, the band has moved towards dense drone-based structures and an increasingly multi-layered approach to thematic development, most evident on their most recent double-CD release from Subvalent, Elegy for Native Tongues.
Band Members:
TOMO - Hurdy Gurdy, Soprano Saxophone, Theremin, Electronics
Cal Lyall - (Tabletop) Guitar, Electronics
Nobunaga Ken - Drums, Percussion
More info 延伸阅读:
www.subvalent.com/tetragrammaton
www.myspace.com/tgmtn
tetragrammaton-official.com

   

Alessandro Carboni


The modality of working of Alessandro Carboni is deeply tied to places and has to pass through re-elaboration. He addresses the research paths in multiple disciplines and draw on studies of specific theoretical and practical issue. The Alessandro Carboni uses of collaborations with other artists, scholars, researchers, planners, architects, creating art and working platforms that become ends and mile stones of the trail project. He takes on the role of interface and mediator between a platform and another, between researchers, artists and performers. The wealth of experience and knowledge that accumulates creates shows and performances: each is a point of arrival and departure of different creative paths-this process of creation has evolved to the nature of performance-making and the body of the 21st century, particularly in his cognitive and biological / technological. Recently, his focal interest is on body movement and its relation to the surrounding spaces. For several years now, Carboni has been studying visual art, choreography. In the last five years Alessandro has been working on creating a new methodology ROT – rules of thumbs, for choreography , which combines elements of dance, visual art, urban geography, mathematics and system theory. At present, he is expanding the scope of this research, which incorporates the activities of ‘LaDU: Multimedia Laboratory of Urban Density’ at the University of Architecture in Cagliari. Carboni teaches ‘Methodology and Performance Practice’ for a Master course in Performance Design and Practice at Central Saint Martins in London, ‘Digital Performance’ for the Master course Digital Environment Design at NABA in Milan. He collaborate also with the School of Architecture in Hong Kong.

   

Lawrence English


Lawrence English,是90年代中掘起的声音艺术家、实地采样(Field Recording)乐手;澳大利亚布里斯本实验音乐Scene的重要推手,唱片厂牌兼艺术组织::ROOM40::(以下简称ROOM40)的创办者。同时在音乐评论、装置艺术、平面设计、电影/剧场配乐、视觉艺术;以及音乐节策划、艺术策展等多个领域皆有贡献。Lawrence English擅长折衷性的声音创作,其作品往往带有深刻的探索主题——这尤可见其最著名的一部以布里斯本自由殖民者为研究主题的声音/视觉环境作品 “Ghost Towns”。在过去的10年,Lawrence English的声音作品已在全球多个地区传播。其风格从实验的音景到自由即兴的节拍作品,再到受具象音乐影响的一些创作,横跨当代多个实验音乐乐种。美国周刊《Signal To Noise》便曾对Lawrence English的作品作出“优秀的现代具象音乐”的评价。

从小喜爱古典音乐,11岁开始接触流行音乐,之后曾在一个工业乐团中担任鼓手和吉它。音乐风格主要受Einsturzende Neubauten甚至Skinny Puppy的影响。而自从那时开始Lawrence English开始接触电子音乐,并为很多澳洲和海外的乐团和音乐人作混音。Scanner、DJ Olive、Christ Watson、David Toop、John Cage、Luc Ferrari等都不同程度地对Lawrence English起到启发作用。现在的Lawrence English经常带着一个耳机式麦克风四处游走收集素材,随后成为他作品的一部份,他用这些声音重现声音环境,或者再创一个新的声音环境,以供听者想象。

尽管一直活跃于布里斯本的实验音乐圈,但Lawrence English的唱片出版量却并不丰富。2001年个人名义的首张专辑,以3寸CD形式发表的17分钟作品“Map51F9”,是为曾工作过的Inala Art画廊创作的“实地采样”作品,以“Map51F9”作为线路图,沿途采集声音样本所进行的一次实验创作。化名Object为雕刻装置作品所创作的配乐“Pandemic”于比利时Sub Rosa子厂牌Quatermass(现两者已完全独立)旗下发表,是融合纽约Hip Hop、牙买加跳舞音乐与抽象电子音乐的一次对节奏与空间结构进行探索的实验性尝试。2003年以本名在家乡厂牌Caji发表的“Transit”则是 Lawrence English较为人熟悉的专辑之一,DJ Olive、Robin Rimbaud(aka Scanner)、Heinz Riegler、Philip Samartzis等人纷纷贡献出各自的声音样本。纽约《Dusted Magazine》对此有这样的评语,“即使最平凡的音源落到他手上依然能被调变出富于变化,和出人意表的声音”。

link:http://www.room40.org

   

陆正/Zenlu


Zen Lu, experimental musician and sound artist, hosted and founded We Play!Records,and he is the founder of Neo Sound artistic group,is now working and living in Shenzhen,China. In the past few years, while insisting on independent solo composing, Zen Lu founded and joined in several local musical outfits. In 2004, he joined YOUNG CRAZY, and it was there he developed a huge interest in the genres of experimental electronica and industrial noise. In April 2006, he formed ZenBOBO and by that time he has become totally engrossed in composing minimalist/ambient music. In September 2006, he collaborated with Polish experimental musician Grzegorz Bojanek and formed ChoP, from which an album is to come out. In the future series of release of ChoP, two musicians of different nationalities will be invited to join in composing for each release. In May 2007,he founded Skybox duo with Dickson Dee. Zen Lu performed in New Vision Arts Festival(Hong Kong),SAND Festival(Hong Kong), Asia Europe Music Camp and Clandestino Festival(Gothenburg,Sweden), Moving Closer International New Media Festival(Warsaw,Poland),Chinese Sound Art in Poland project(5 cities in Poland),Get It Louder Exhibition(Guangzhou ,China),etc. Actively taking part both in solo and group composing, Zen Lu has gradually established his another musical personality with his distinctively abstract and visual style of electronic music. Zen Lu also organized experimental music/sound art performance in Shenzhen.

link: www.zenlu.com

   

Christof Cargnelli


奥地利艺术家Christof Cargnelli,生于1969年,修读电脑音乐和多媒体、哲学、人种学等,是维也纳当地最活跃的多媒体艺术家之一。他曾于06年在北京参与艺术作品“宇宙空间游戏”的展出,该作品充满着强烈的历史、宇宙的界面和言语,以游戏的方式与体验者互动。07年10月22日至28日,克里斯多夫再次来临北京,出席“2007北京国际电子音乐节”,并于“电子音乐演出系列”单元作个人独奏。

link: www.christofcargnelli.com

   

HOME | LOGIN | info@ninliho.com | 手机访问
Copyright © 2018 Ninliho Culture Art. All Rights Reserved.
feed-image rss Subscribe